写故宫

北京故宫 北京故宫，是明清两朝的皇宫。位于北京城的中心。清明时称紫禁城，1925年始称故宫。站的面积15万平方米。是全世界规模最大、保存最完好的古代皇宫建筑群。也是中国古代建筑最高水平的杰作 紫禁城内的皇宫建筑分为南部前朝部分北部后寝部分。前朝有太和、中和、保合三大殿，是皇帝上朝接受朝贺、借鉴群臣和举行大型典礼的地方，这三大殿与也是故宫中最高大的建筑物，表现出他们不同凡响的崇高地位。后秦始皇帝和皇后、殡、妃居住的地方，皇帝和皇后居在中轴线上的宫室中，左右各有六处宫院称东六宫和西六宫，供姨、妃居住。前朝后寝，分工明确，不得随便逾越，体现了中国自古以来等级分明、内外有别的伦理观念。 故宫古建筑群，由朱棣皇帝亲自策划营建。现存规模最大，构造之严谨，装饰之精美，文物之众多，在中国建筑中绝无仅有，是世界有名的皇宫建筑群。

故宫是中华民族的瑰宝，是中国人民智慧的结晶。 故宫建于明朝明太祖朱元璋年间，它位于北京中心，是明、清两朝皇帝和妃子还有太后住的宫殿。

　　不知为什么,时间过的那么快,车子就驶到了故宫博物观门口.我带着紧张而又兴奋的心情步入了大门.故宫内的大殿大都是红墙黄瓦,里面的装潢典雅端庄,充满了皇室风格.据说故宫里有9000多间房,而且全都是由木条一块一块拼成的,没有一个钉子,难以想象这样一座雄伟的宫殿只用了14年就完工.故宫内最吸引人的要算“三大殿”,保和殿,太和殿,中和殿.我们先来到保和殿,我挤进人群,透过玻璃我看到那些皇帝的日用品早已没有往日的辉煌,那些陈旧的一切都仿佛在述说一个个真实古老的故事.向前走,一个很不起眼的小宫殿,没错,那就是“中和殿”,皇帝上朝时更衣的地方.接着又来到了“太和殿”,这里便是皇帝上朝的地方,它建在高八米的汉白玉台基上,屋顶上雕刻着12只珍禽异兽,大殿内一把象征了至高无上的龙椅,端端正正的摆在中间,形象的表现了皇帝天下独尊的磅礴气势.故宫里除了各种用途的宫殿,连地上的砖块也有一些秘密,听说地上的砖块雕刻着999种人物和植物,还有不少的历史故事呢.快乐的时间总是短崭的,当我依依不舍的离开故宫时,我想故宫是古代劳动人民智慧的结晶,我们一定要好好爱护,我们更要好好学习用我们的智慧给我们的后人带来财富.

今天我和爸爸妈妈一起去故宫游玩，故宫是明清两代皇上办公和居住的地方。　　我们走过天安门，来到了故宫的端门。故宫有三大门，分别有，端门，午门，太和门。爸爸在午门租了三个讲解器，走到哪里它就像小导游一样给你讲解每一处景点。来到太和门，我就看到一座高大雄伟的宫殿展现在我眼前，太和殿又叫“金銮殿”。是皇上面见大臣的地方。走过中和殿，和保和殿。我来到了珍宝馆。琳琅满目的珠宝看得我眼花缭乱，最让我记忆犹新地是一整块红珊瑚雕刻的麒麟。据说，红珊瑚一千年才长几厘米，这一大块要长几千年呢？真是价值连城啊！然后，我又来到了九龙壁，我看到了九条形态各异的龙刻在墙壁上。有四种颜色组成，分别有：黄色，白色，蓝色，和黑色。真好看啊！　　我们在故宫逛了一天，累的我满头大汗，腰酸背痛。故宫真大啊！还有好多没有逛呢！就从神武门出来了。我依依不舍地离开了故宫，下一年暑假我还要再来。

今年暑假的时候,我去北京住了一段时间.在此期间,我去过了很多地方.其中令我印象最深的是去故宫.广西高考网走过金水桥,经过午门,进入太和门的时候,我惊讶了.我从来没有见过这么大的广场,这个广场可以容纳几万人.广场的两边各有一个大门可以供人员疏散.我们顺着用汉白玉铺成的道路一步一步往前走,抬头一看.哇!简直不相信这是人类造出来的.这太和殿真是金碧辉煌,雄伟壮丽.在楼梯中间有一幅用巨石雕刻出来的石雕画.整个石雕画上全都刻着各种各样的龙,华丽而威武.看着这么大的巨石雕刻,我不禁感叹.在很多年前,没有吊车和起重机.人们是如何将如此巨石搬运至此的?我走进太和殿,发现太和殿的里面也是非常宽广：太和殿的中间则是摆放着香案和香炉.我离开了太和殿,又来到了中和殿.这里的规模要比先前的规模要校接下来我参观了保和殿,乾清门,前清宫.游览了交泰殿,坤宁门,坤宁宫;最后来到了御花园.整个御花园是满园的古树,这里面大部分是油柏.仿佛是进入到了一个原始森林里面.继续朝前走,就看到了一座由太湖石堆成的一座小山.小山的名字叫做堆秀山.那些太湖石千奇百怪,千疮百孔,奇特无比,让人不由得感叹大自然的神奇.看完了御花园,我们决定去养心殿看看.一路上经过了无数的大大小小的宫殿,让人不由得惊叹这故宫的宏大.来到了养心殿后,这里有着精致的龙床和各种精美的家具.从康熙皇帝以下的很多皇帝就在这里处理政务.接下来,我终于粗粗浏览了一下故宫博物院.故宫博物院是我国最大的一座综合性博物馆,它是在明清两代皇宫及其收藏的基础上建立起来的.它所展示的明清宫廷历史、宫殿建筑以及大量的难得一见的古代艺术品收藏,都是世界上其他博物馆所无法企及的.今天,我们来到了故宫游玩.故宫,又称紫禁城,是明、清两代的皇宫,是我国现存最大最完整的古代宫殿建筑群.整个建筑金碧辉煌,庄严绚丽,它占地72万平方米,屋宇9999间半,为一长方形城池,墙外有宽52米的护城河环绕.故宫有四个大门,正门名为午门.我们是从神武门,经御花园进入.故宫按照按照“前朝后寝”,分为外朝和内廷.外朝以太和、中和、保和三大殿为中心,是皇帝朝政和举行盛典的地方.内廷以乾清宫、交泰殿、坤宁宫为中心,是帝王与后妃居住的地方,还有东西两侧的东六宫和西六宫,俗称“三宫六院”,其中东六宫现大都改为古代艺术品陈列馆了;此外还有文华殿、武英殿、御花园等.来到故宫,映入眼帘的是朱红的宫墙与灰色的地板.故宫最美丽的莫过于在坤宁宫北面的御花园了!走进御花园,满眼看到的是苍松翠柏,奇花异石,亭台楼阁,水榭小桥,不时传来几声鸟叫或泉水的丁冬声;放眼望去,不时可见几座宫殿和厅山怪石的尖顶.这自然与人工的美妙结合,真可谓“天上人间”.听人说,建造故宫,用了1000000人呢!这些人在建造故宫的13年里,每天都要从一千多里外的地方搬数十吨的石块来!故宫既雄伟又华丽,还是中国劳动人民的智慧与伟大的见证,真希望您也能到此一游!

故宫导游词: 各位来自世界各地的游客们，你们好！欢迎来到“世界遗产”之北京故宫，我是来自＿＿的＿导游，下面我就带大家去细细游赏一番吧。 中国明清两代的皇宫，又称紫禁城，地点位于北京城中心。开始建造与明永乐四年至十八年，也就是现在说的1406年至1420年，后来经过多个朝代的劳动人民细心修改，变的非常的富丽堂皇，但仍保持着原来的布局和规模，，是世界上保存的最完整、规模最大的古代木构架宫殿建筑群。最先的设计人是蔡信、阮安等，主持施工的人是蒯详、陆详等，名字里都有详哦！ 我们说完了北京故宫的历史和人物建造，现在该说说外观和排列顺序了吧！ 这座城设四个门，南门正中面是午门、北边是神武门、东为东华门，西为西华门，四门个建有重檐庑殿顶门楼。这座城的四个角都还布有一些结构精巧、外观秀丽的角楼。外面的墙有10米多高呢！还有护城河宽52米，够宽的吧！长3800米，整个建筑群按南北中间的中轴线为对称布局，层次分明，主次有序。 听完了一以上那些，你应该对北京故宫有些了解了吧！可能你还不知道把，连皇帝的住所都是那么井井有条！ 前三殿是全宫最大的建筑群，占地面积有达8.5万平方米，是宫城的12%，后三供则为前三殿的25%，期于宫殿依次递减，主要突出前三殿、后三宫的主要地位。1961年定位中国第一批全国重点文物保护单位，已被联合过教科文组织列为世界文化遗产。

只知道故宫实景中，那些雪景都是用化学肥料弄的 很臭很臭,但演员们还要装出很浪漫的样子 真是颇为敬业和辛苦啊 另外,演技也是超赞超赞超超赞!

Situated in the western outskirts of Haidian District, the Summer Palace is 15 kilometers (9.3 miles) from central Beijing. Having the largest royal park and being well preserved, it was designated, in 1960 by the State Council, as a Key Cultural Relics Protection Site of China. Containing examples of the ancient arts, it also has graceful landscapes and magnificent constructions. The Summer Palace is the archetypal Chinese garden, and is ranked amongst the most noted and classical gardens of the world. In 1998, it was listed as one of the World Heritage Sites by UNESCO. Constructed in the Jin Dynasty (1115-1234), during the succeeding reign of feudal emperors; it was extended continuously. By the time of the Qing Dynasty (1644-1911), it had become a luxurious royal garden providing royal families with rest and entertainment. Originally called "Qingyi Garden" (Garden of Clear Ripples), it was know as one of the famous "three hills and five gardens" (Longevity Hill, Jade Spring Mountain, and Fragrant Hill; Garden of Clear Ripples, Garden of Everlasting Spring, Garden of Perfection and Brightness, Garden of Tranquility and Brightness, and Garden of Tranquility and Pleasure). Like most of the gardens of Beijing, it could not elude the rampages of the Anglo-French allied force and was destroyed by fire. In 1888, Empress Dowager Cixi embezzled navy funds to reconstruct it for her own benefit, changing its name to Summer Palace (Yiheyuan). She spent most of her later years there, dealing with state affairs and entertaining. In 1900, it suffered again, being ransacked by the Eight-Power Allied Force. After the success of the 1911 Revolution, it was opened to the public. Composed mainly of Longevity Hill and Kunming Lake, The Summer Palace occupies an area of 294 hectares (726.5 acres), three quarters of which is water. Guided by nature, artists designed the gardens exquisitely so that visitors would see marvelous views and be amazed by perfect examples of refined craftwork using the finest materials. Centered on the Tower of Buddhist Incense (Foxiangge) the Summer Palace consists of over 3,000 structures including pavilions, towers, bridges, and corridors. The Summer Palace can be divided into four parts: the court area, front-hill area, front-lake area, and rear-hill and back-lake area. Front-Hill Area: this area is the most magnificent area in the Summer Palace with the most constructions. Its layout is quite distinctive because of the central axis from the yard of Kunming Lake to the hilltop, on which important buildings are positioned including Gate of Dispelling Clouds, Hall of Dispelling Clouds, Hall of Moral Glory, Tower of Buddhist Incense, the Hall of the Sea of Wisdom, etc. Rear-Hill and Back-Lake Area: although the constructions are fewer here, it has a unique landscape, with dense green trees, and winding paths. Visitors can feel a rare tranquility, and elegance. This area includes scenic spots such as Kunming Lake and Back Lake , which presents a tranquil beauty, Garden of Harmonious Interest , built by imitating the layout of Southern China"s classical gardens, and Suzhou Market Street, endowed with a strong flavor of the water town Suzhou. Court Area: this is where Empress Dowager Cixi and Emperor Guangxu met officials, conducted state affairs and rested. Entering the East Palace Gate, visitors may see the main palace buildings: the Hall of Benevolence and Longevity served as the office of the Emperor, the Hall of Jade Ripples where Guangxu lived, the Hall of Joyful Longevity, Cixi"s residence, the Garden of Virtue and Harmony where Cixi was entertained, Yiyun House , where once lived the Empress Longyu, and Long Gallery, which measures the longest in Chinese gardens. Front Lake Area: covering a larger part of the Summer Palace, opens up the vista of the lake. A breeze fluttering, waves gleam and willows kiss the ripples of the vast water. In this comfortable area there are the Eastern Bank and Western Bank, Seventeen-Arch Bridge, Nanhu Island, the largest island in Summer Palace, Bronze Ox, an imposing statue beside the lake, and Marble Boat, built in western style with elaborate decorations . On the western bank float six distinct bridges amongst which the Jade-Belt Bridge is the pretty!

FORBIDDEN CITY (紫禁城) (In front of the meridian gate) Ladies and Gentlemen: I am pleased to serve as your guide today. This is the palace museum; also know as the Purple Forbidden City. It is the largest and most well reserved imperial residence in China today. Under Ming Emperor Yongle, construction began in 1406. It took 14years to build the Forbidden City. The first ruler who actually lived here was Ming Emperor Zhudi. For five centuries thereafter, it continued to be the residence of23 successive emperors until 1911 when Qing Emperor Puyi was forced to abdicate the throne. In 1987, the United Nations Educational, Scientific and Cultural Organization recognized the Forbidden City was a world cultural legacy. It is believed that the Palace Museum, or Zi Jin Cheng (Purple Forbidden City), got its name from astronomy folklore, The ancient astronomers divided the constellations into groups and centered them around the Ziwei Yuan (North Star) . The constellation containing the North Star was called the Constellation of Heavenly God and star itself was called the purple palace. Because the emperor was supposedly the son of the heavenly gods, his central and dominant position would be further highlighted the use of the word purple in the name of his residence. In folklore, the term “an eastern purple cloud is drifting” became a metaphor for auspicious events after a purple cloud was seen drifting eastward immediately before the arrival of an ancient philosopher, LaoZi, to the Hanghu Pass. Here, purple is associated with auspicious developments. The word jin (forbidden) is self-explanatory as the imperial palace was heavily guarded and off-explanatory as the imperial palace was heavily guarded and off-limits to ordinary people. The red and yellow used on the palace walls and roofs are also symbolic. Red represents happiness, good fortune and wealth. Yellow is the color of the earth on the Loess Plateau, the original home of the Chinese people. Yellow became an imperial color during the Tang dynasty, when only members of the royal family were allowed to wear it and use it in their architecture. The Forbidden City is rectangular in shape. It is 960 meters long from north to south and 750 meter wide from east west. It has 9,900 rooms under a total roof area 150,000 square meters. A 52-meter-wide-moat encircles a 9. 9-meter—high wall which encloses the complex. Octagon —shaped turrets rest on the four corners of the wall. There are four entrances into the city: the Meridian Gate to the south, the Shenwu Gate (Gate of Military Prowess) to the north, and the Xihua Gate (Gate of military Prowess) to the north, and the Xihua Gate (Western Flowery Gate ) to the west, the Donghua (Eastern Flowery Gate) to the east. Manpower and materials throughout the country were used to build the Forbidden City. A total of 230,000 artisans and one million laborers were employed. Marble was quarried from fangshan Country Mount Pan in Jixian County in Hebei Province. Granite was quarried in Quyang County in Hebei Province. Paving blocks were fired in kilns in Suzhou in southern China. Bricks and scarlet pigmentation used on the palatial walls came from linqing in Shandong Province. Timber was cut, processed and hauled from the northwestern and southern regions

故宫导游词: 各位来自世界各地的游客们，你们好！欢迎来到“世界遗产”之北京故宫，我是来自＿＿的＿导游，下面我就带大家去细细游赏一番吧。 中国明清两代的皇宫，又称紫禁城，地点位于北京城中心。开始建造与明永乐四年至十八年，也就是现在说的1406年至1420年，后来经过多个朝代的劳动人民细心修改，变的非常的富丽堂皇，但仍保持着原来的布局和规模，，是世界上保存的最完整、规模最大的古代木构架宫殿建筑群。最先的设计人是蔡信、阮安等，主持施工的人是蒯详、陆详等，名字里都有详哦！ 我们说完了北京故宫的历史和人物建造，现在该说说外观和排列顺序了吧！ 这座城设四个门，南门正中面是午门、北边是神武门、东为东华门，西为西华门，四门个建有重檐庑殿顶门楼。这座城的四个角都还布有一些结构精巧、外观秀丽的角楼。外面的墙有10米多高呢！还有护城河宽52米，够宽的吧！长3800米，整个建筑群按南北中间的中轴线为对称布局，层次分明，主次有序。 听完了一以上那些，你应该对北京故宫有些了解了吧！可能你还不知道把，连皇帝的住所都是那么井井有条！ 前三殿是全宫最大的建筑群，占地面积有达8.5万平方米，是宫城的12%，后三供则为前三殿的25%，期于宫殿依次递减，主要突出前三殿、后三宫的主要地位。1961年定位中国第一批全国重点文物保护单位，已被联合过教科文组织列为世界文化遗产。

北京故宫 北京故宫，是明清两朝的皇宫。位于北京城的中心。清明时称紫禁城，1925年始称故宫。站的面积15万平方米。是全世界规模最大、保存最完好的古代皇宫建筑群。也是中国古代建筑最高水平的杰作 紫禁城内的皇宫建筑分为南部前朝部分北部后寝部分。前朝有太和、中和、保合三大殿，是皇帝上朝接受朝贺、借鉴群臣和举行大型典礼的地方，这三大殿与也是故宫中最高大的建筑物，表现出他们不同凡响的崇高地位。后秦始皇帝和皇后、殡、妃居住的地方，皇帝和皇后居在中轴线上的宫室中，左右各有六处宫院称东六宫和西六宫，供姨、妃居住。前朝后寝，分工明确，不得随便逾越，体现了中国自古以来等级分明、内外有别的伦理观念。 故宫古建筑群，由朱棣皇帝亲自策划营建。现存规模最大，构造之严谨，装饰之精美，文物之众多，在中国建筑中绝无仅有，是世界有名的皇宫建筑群。

故宫：占地72万平方米,屋宇9999间半,建筑面积15.5万平方米.为一长方形城池,四角矗立、风格绮丽的角楼,墙外有宽52米的护城河环绕,形成一个森严壁垒的城堡.建筑气势雄伟、豪华壮丽,是中国古代建筑艺术的精华.故宫前部宫殿,当时建筑造型要求宏伟壮丽,庭院明朗开阔,象征封建政权至高无上,太和殿坐落在紫禁城对角线的中心,故宫的设计者认为这样以显示皇帝的威严,震慑天下.后部内廷却要求庭院深邃,建筑紧凑,因此东西六宫都自成一体,各有宫门宫墙,相对排列,秩序井然,再配以宫灯联对,绣榻几床,都是体现适应豪华生活需要的布置.故宫宫殿是沿着一条南北向中轴线排列,三大殿、后三宫、御花园都位于这条中轴线上.并向两旁展开,南北取直,左右对称.这条中轴线不仅贯穿在紫禁城内,而且南达永定门,北到鼓楼、钟楼,贯穿了整个城市,气魄宏伟,规划严整,极为壮观.苏州园林：（一）讲究亭台轩榭的布局.亭台轩榭在布局上“绝不讲究对称”,作者将苏州园林的布局与中国传统建筑作比较,以图案画与美术画打比方,说明苏州园林具有充满自然之趣的布局美. （二）讲究假山池沼的配合.（三）讲究花草树木的映衬.（四）讲究近景远景的层次.巧妙运用花墙和廊子,使苏州园林显得层次多,景致深,景物不是一览无余地展现在游览者的面前,而是逐次展露,游览者可以领略到移步换景的乐趣,获得的审美享受也更为深长. 步移景异：对景物的安排和观赏的位置都有很巧妙的设计,园林试图在有限的内部空间里完美地再现外部世界的空间和结构.园内庭台楼榭,游廊小径蜿蜒其间,内外空间相互渗透,得以流畅、流通、流动.透过格子窗,广阔的自然风光被浓缩成微型景观.题词铭记无处不在,为园林平添了浓郁的人文气息.涓涓清流脚下而过,倒映出园中的景物,虚实交错,把观赏者从可触摸的真实世界带入无限的梦幻空间.就技法来说,借景或把园外的美景,通过精心选择和剪裁,收纳到园林中来,这称为远借；或用一处景致映衬另一处景致,这称为互借,等等.这样不仅使得面积有限的苏州园林能够提供更丰富的景观,更深远的层次,而且还极大地扩展了欣赏者的空间感受. 他们最大的区别就是一个对称,一个不对称.